3. The longevity of the right tone of voice
If you choose a voice style that relies on fleeting advertising trends, your video will sound outdated after just three months. Timeless clarity yields much more in the long run than forced excitement.
For example, look at the different ways you can convey a message:
- A calm, business-like tone of voice. This makes complex subjects understandable in a corporate film.
- A friendly, helpful sound for instruction videos and manuals.
- A compelling, inviting style for radio or television campaigns.
The same principle applies to international projects. For example, a German production with Sue or Sylvia, or an English-language project with Emma from the United Kingdom. A native speaker with the right diction prevents you from having to re-record everything after three months due to incorrect accents.
4. Rights and rates: clarity prevents surprises
A choice that often backfires later is a lack of clarity about how you use the recording. The budget for voice work consists of clear components, depending on how you use the recording.
For commercial work with paid distribution, such as an advertisement, you pay a basic fee for studio time. You also pay a fee for broadcast rights (the buy-out), calculated based on the channel and duration. For non-commercial work, such as an internal instruction video or a presentation, we usually charge per word or per project. By agreeing on this beforehand, you avoid unexpected extra costs for rights renewal later on.